He learns what is real, and what is shadow and reflection. When exiting the cave, he is first blinded by the light but eventually learns the basics of nature. The story of the freed prisoner goes that, after initial shock and distress, the prisoner learns to distinguish between reality and shadows, and sees the fire producing the shadows. ![]() In the film The Matrix, Neo is the freed prisoner in 1984, Winston Smith dreams of being the freed prisoner. The narrative of The Cave hypothesizes what happens after the prisoner is released from the false imagery to which his society is subjected. The fourth character type is the freed prisoner. The prisoners interpret the shadows and whatever noises are made as a reality in total, for it is all they know. ![]() The images are cast on the wall by the third character type, the captors, who use a fire behind them to produce various shadows, to keep the prisoners entertained. They need no force they are so transfixed with the imagery on the wall that the shadows are all they care about and remain in the cave by choice. Some, however, the second character type, are unchained. Most people are chained, forced to watch images on a cave wall. In the Allegory, there are four character types. Socrates begins: “Let me show you in a figure how far our nature is enlightened or unenlightened Behold! Human beings living in an underground cave”. ![]() Related: The Path You Choose Reveals Your Life Philosophy It’s about how we can ascend from the bottom to stand face-to-face with the golden Sun. As is all similar philosophy, the allegory is layered, but it is partially about breaking from mainstream thinking and seeking individual knowledge the ascension of perspective being in a cave and coming out of a cave. The Allegory of The Cave proposes that what people take to be ‘reality’ in total is only a partial reality or an all-out illusion.
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